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The Wait of Djerba’s Women
Laakri Cherifi   

The Wait of Djerba’s Women | babelmed | art - culture - show - cinema - concert - music - mediterraneanMoufida Tlatli’s film describes a particular situation describing more a form of matriarchy than an abusive masculine power. Aïsha’s stepmother represents a variant of violence built on the absence but also on the alleged weakness of men.

 
The journey of the outraged Armada Bizerta rappers
Thameur Mekki   

The journey of the outraged Armada Bizerta rappers | babelmed | art - culture - show - cinema - concert - music - mediterraneanThe Tunisian rap group Armada Bizerta, was recently on tour in Europe. The rappers observe the evolution of their career and the changes their country is going through. Portrait.

 
Tunisia. Graffiti, a weapon for civil resistance
Tunisia. Graffiti, a weapon for civil resistance | babelmed | art - culture - show - cinema - concert - music - mediterraneanAfter the revolution, Tunisia pours its troubles on its walls. Artists celebrate the people’s victory through mural blows. Graffiti invades the cities’ walls.
 
Tunisia: When punishment becomes a gift
Thameur Mekki   
Tunisia: When punishment becomes a gift  | babelmed | art - culture - show - cinema - concert - music - mediterraneanWhen the works of Ben Haj Yahia, Jebali, Darwish and Farzit pervade theatrical creativity, the struggle of two generations parades on stage.
 
Tunisian cinema. The years 2000
Tunisian cinema. The years 2000 | babelmed | art - culture - show - cinema - concert - music - mediterraneanIf we don’t see the arrival of a new wave since the years 2000, there are however a few names which can be highlighted and among which the issue of the relation to the other can be analysed in a different way than in their predecessors’ work.
 
Creativity and the Syrian revolution
Creativity and the Syrian revolution | babelmed | art - culture - show - cinema - concert - music - mediterraneanThe Syrian revolution against Bachar el-Assad’s despotic regime is entering its eleventh month, breaking all records in the Arab Spring arena
 
“I am the bearer of flowers to my own grave,” by Hala Alabdalla
“I am the bearer of flowers to my own grave,” by Hala Alabdalla | babelmed | art - culture - show - cinema - concert - music - mediterranean“I am the bearer of flowers to my own grave” – the film’s title is borrowed from the Syrian woman poet Daoud Haddad, who disappeared in 1991 – delights in the most primal way. One is immediately struck by its visual beauty, the originality of its structure, qualities found too rarely in contemporary cinema, which excels in producing tightly-woven narrative rather than aesthetic innovation.
 
Theatre, a school for civic values
Adel Habbassi   

Theatre, a school for civic values | babelmed | art - culture - show - cinema - concert - music - mediterraneanAdel Habbasi invites us on a journey to discover the performance resulting from the theatre workshop organised by the Arab-African Centre for Training and Theatre in Tunis that was presented to the public on the 9th of June at the El Hamra Theatre.

 
Shourouk and her wonderland
Shourouk and her wonderland  | babelmed | art - culture - show - cinema - concert - music - mediterranean«My jewels represent the merging of my childhood universe - made of the traditional costumes my Tunisian grand-mother used to wear - and my life in France where I discovered the world of fashion, jewellery and dressmaking». An interview with a young fairy that has come right out of a modern tale.
 
Tunisian cinema. The 1980’s/90’s
Tunisian cinema. The 1980’s/90’s | babelmed | art - culture - show - cinema - concert - music - mediterraneanIn the middle of the 1980’s a new wave and another generation emerge. The leading film of this period remains L'homme de cendres (Man of Ashes) of Nouri Bouzid. Mahmoud Ben Mahmoud, Naceur Khémir, Farid Boughédir and Moufida Tlatli also appear...
 

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